A dead man is being pulled out of water in one of those basket things they use to rescue people from water with helicopters. But this guy is way past rescue and he’s being pulled up by a tow truck.
Glue Boy, Love Tap, Hot Cop Cobb, and Boulet are all there. As the others watch the body rise and then begin to examine it, Boulet is off to the side, singing into his cell phone, "Tomorrow, tomorrow, I love ya. . . " His daughter, Tawni, asks him if he’ll be here tonight (presumably at a school play). He says he’ll do his best, pretty much guaranteeing that he will, indeed, do his best, but will not, in fact, be there.
Back to the body. The cops recognize it as that of former District Attorney of New Orleans, Clay Beelman. He does not seem to have been drowned and they believe he was killed elsewhere and dumped here in the shallow canal. With his Super Cop powers, Hot Cop Cobb is able to hone in on something deep in Beelman’s armpit, which turns out to be a broken off fingernail. The fingernail is a painted blue with a pink magnolia pattern in the center. It looks as though it hurt like hell when it broke if that’s a real fingernail and not a Lee Press On.
Back at headquarters I realize that Boulet and Hot Cop Cobb are not just cops, but detectives. I have seen enough cop shows to know the difference. I just do not understand how Cobb, who has exactly zero experience as a policeman of any sort, who is only an escaped convict who spent two years in the army and faked his way onto the force, would be hired at the rank of detective. I guess it’s another nod to how desperate and pitiful the NOPD is right now. Yeah, NOPD! But, really. They only pay their detectives $29,000 a year, as we learned is their salary, in the pilot? I’ve had a better year than that by waiting tables.
Back to the show and back to headquarters. Detectives Boulet and Cobb talk to Assistant District Attorney Lyndsey Swan, who is lovely (played by Milena Govich, a veteran of cop and rescue-type shows, having had a recurring role on Law & Order for part of their 2007 season and guest roles on Rescue Me) and who made brief appearances last week. ADA Swan is distressed because Beelman was her mentor and it is clear she thought the world of him as a lawyer and as a decent man. She goes on to explain to Hot Detective Cobb and Big-Daddy Detective Boulet that Beelman was involved in the "Green Space Initiative," which was a program designed to tear down some of the most damaged and strategically placed neighborhoods in New Orleans and turn them into parks that would then serve as buffers for future floods. (I did some research and could not find evidence of any program quite like this one--not even close, actually, thank goodness.) Of course this gets Big-Community-Minded Detective Boulet in an uproar about repopulating the city and fixing homes and neighborhoods instead of tearing them down and ADA Swan goes at it with him. Me thinks they are missing the point of a homicide investigation.
Finally Hot-Headed Detective Boulet explains that in some of those neighborhoods there are holdouts that refused to sell and that there have been death threats sent to politicians, likely including Beelman, over the issue. ADA Swan looks overwhelmed. Who would want to kill her beloved boss over a little thing like bulldozing entire neighborhoods? Hot Detective Cobb is awfully quiet throughout this exchange and doesn’t even have any of his usual follow-up questions or bad dialogue to add when it’s over.
Big-Daddy Boulet takes the broken fingernail home to his wife, Ayana (apparently she and Tawni have moved back from Atlanta and in with him and been given names—other issues left unresolved from the pilot). Ayana glows and beams at him because she thinks he has taken the day off to spend with his family and to see Tawni’s play that evening. She’s angry when she realizes he’s home to ask her to look at a piece of evidence and even angrier when she realizes it’s a manicured fingernail, as though just because she’s a woman she’d recognize where a manicure came from. But when he pulls out the evidence bag with the fingernail in it, she does recognize it; it’s a color that is not sold in stores and can only be found in salons that mix their own colors and this particular color of blue is only made at Ma Cherie Nails. I sure hope we find out that Ayana is a manicurist or in some related profession because New Orleans is a big city and that is very, very specific information for her to just happen to have stored in her head. Otherwise, the show is asking a bit much of us, but it's a small point, so I'll let it slide.
Detectives B and C drive over to Ma Cherie and speak to the owner, Fong Trang (What? You thought they’d depart from the Asian-Owner-Of-A-Nail-Salon stereotype? Why start ditching stereotypes now?) She is so on top of her business that she is able not only to confirm that the nail came from her shop, but that it was made for a woman named Laine Rogers. That’d be a woman of the night, if ya know what I’m saying. She works at the Poplar House, which the show refers to as a "high class brothel." We quickly find out that it is frequented by judges, politicians, and other higher-up types, which is likely why it’s considered HIGH CLASS.
Hot Detective Cobb and Leading-Man Detective Boulet go to raid Poplar House and search for a murderer with nine pretty blue fingernails with magnolias on them, although these women all look the sort who would have such damage to a manicure repaired tout suite, especially considering that the other nine likely suffered some damage as well.
On the way there they called Captain Embry to let him know what they’ve been up to and where they were headed. He lost his temper and was clearly about to call them off the raid when he caught himself, realized the detectives were followinging protocol and that it would be suspicious for him to stop them. Hot Detective Cobb hears in Embry's voice how close he is to calling the raid off, though, and immediately suspects Embry is involved somehow.
The Buddy Detectives bust into the brothel, where they encounter Marquetta Dinovi, the owner of the girls, pimp, proprietor of Poplar House. She says, and it rings very true, that she is usually notified ahead of time of raids. Smartass Detective Boulet suggests she give them 20 minutes to get a warrant from a particular judge. Then he asks for 25 minutes so the judge can get back to chambers as we see that very judge sneaking up the stairs wearing nothing but a sheet. Hot Fingernail Detective Cobb begins going from room to room, gun drawn, checking the fingernails of each of the women, whether or not he’s interrupting them with customers (gross!), and asking if they are Laine Rodgers. The women are all gorgeous and well-groomed and nothing at all like the ones I saw on that special about the Moonlite Bunny Ranch out in Nevada. Just as Hot Bad-Timing Detective Cobb goes into the room of one Sarah Rogate, who does not have blue fingernails, and has his gun on her, Captain Embry comes in behind him and calls him off. Calls him off very emotionally. Embry looks absolutely terrified. Hot Cobb lookes absolutely intrigued. Something is not right with Embry and the Poplar House and Ms. Sarah Rogate. And Cobb, Super-Sensitive-to-Implied-Sexual-Tension Hot Detective, knows something is up.
And: OPENING CREDITS!
Embry talks to Sarah, calling her by her first name without asking. She explains that Laine Rogers is her BFF, but she has no idea who Clay Beelman was. Downstairs Ms. Dinovi is making the same claim to Not-Always-But-Usually-The-Smartest-Bear-In-The-Woods Detective Boulet and the Somewhat-Shaken-But-Grinning-Like-A-Teenage-Girl- With-Some-Good-Gossip Hot Detective Cobb. In fact, Sarah and Ms. Dinovi both claim Clay Beelman has never been in the brothel at all. Dinovi is furious that Laine has been doing outside work, thus depriving Dinovi of her cut, and asks the detectives to let her know she’s fired when they find her. I didn’t know detectives performed those sorts of services when arresting prostitutes for murder, but whatever.
Not-Always-The-Smartest Detective Boulet does not believe Ms. Dinovi and threatens to arrest all of her girls, take them downtown and make Ms. Dinovi bail them all out. Dinovi is not impressed. She is clearly as, if not more, powerful in New Orleans than he is. Didn’t Boulet see that judge? And crack a joke about him? He just didn’t catch the significance of it, I suppose.
Outside, Hot Cobb comes to Disappointed Boulet and asks why he didn’t tell him about Embry’s girl, explaining what happened in Sarah’s room. Boulet denies that Embry could have a girl. As I was trying to say, he’s not always catching on so fast. And Cobb seems way too excited about this information, and not just for investigative reasons.
Back upstairs, Sarah and Embry, who she calls Jim, talk and she tells him that if Lane Rogers was seeing Clay, it was off the books. Writers? We already know this. Embry may not, but we do. Find another reason to let us hear her call him Jim. This is old news now. We already believe Dinovi that Beelman was not a customer at brothel. Sarah and her boss parroting one another is boring. Stop boring me.
Outside, Embry catches up to Gullible Detectives Cobb and Boulet and explains that Sarah is his confidential informant and nothing more. Her tips, Embry says, always check out.
Glue Boy and Love Tap go to talk to Clay Beelman’s widow. They hear her explain his plan to bulldoze some neighborhoods to create green spaces to absorb flood water. Again, writers. Move it along. The last two episodes you crammed three episodes into one. Now you’re repeating yourselves. What up with that? The best pace is somewhere in between, ‘kay? Glue Boy and Love Tap are boring. So is Mrs. Beelman. The only reason for this scene is that Mrs. Beelman kept a folder of the hate mail Mr. Beelman received. The worst of it is from a man named William Herck. Now we know we need to find Herck. I'm still pretty bored.
Really! What's with the boring?
Bad-Day-For-Them Detectives Boulet and Hot Cobb go to Laine Rogers' apartment, where they find her dead on the floor. Their day gets a tiny injection of humor when they find a man hanging onto her window, trying not to fall to the street, with a red gag ball strapped into his mouth, fishnet pantyhose on (He’s wearing boxers over the hose. It appears, though I could be wrong, that he did not kill her, but was interrupted and put on those boxers quickly to cover himself as he tried to get out quickly. So why leave on the gag ball?) (Sorry, no photo available. Yet.) His name is Thomas Macy, he explains once they pull him in and get the gag out. He claims not to have killed Laine. They believe him immediately and move to the next question: Who did? He doesn’t know, since he was in the bathroom when it happened. He says he was in their straightening his seams (no, I said that) and suddenly heard talking. It got very loud, but he can’t tell them anymore than that, because the entire, loud conversation was in Spanish, which he does not speak.
Glue Boy and Love Tap go to William Herck’s address. The neighborhood is absolutely desolate; Glue Boy and Love Tap are creeping one another out and making jokes as they drive there. Glue Boy and Love Tap think they are funny, but someone needs to do some better writing for them because they are not. Funny, that is. They are not being funny. A hint of a former affair between them or a hot one right now would help keep their relationship interesting as well. As it is, they just seem like 2 strangers in a car. Give us something more, even just a little more mystery or maybe some information about their separate private lives. Some smart sparring. Some interesting dialogue? Some background? A good kncok-knock joke? Anything. Just save them. Save us. From their scenes, ok?
As soon as they park and turn to look at the house, a man appears in an upstairs window, screams something in Spanish, and fires on them with an automatic weapon. Glue Boy and Love Tap roll out of the car to safety and Love Tap radios for help. Boulet and Cobb show up. Suddenly Herck slams his window shut (with a piece of wood he slides over it—this is seriously ghetto). Brave Hot Detective Cobb sneaks inside. The house is only skeleton inside—no walls, just beams. It has been gutted by both water damage and invaders. Hot Cobb sneaks up on Herck when he creeps downstairs to survey his kingdom.
Out front, Embry has shown up and Herck explains to them all that he wouldn’t have shot at them if knew they were cops—that he thought the cop cars were gang tricks. He sounds seriously paranoid. But, he goes on to explain, his neighborhood has been plagued by gangs and people have been killed. I think I believe him about his confusion about the cop car. Two neighbors come up and stand up for him, saying they wouldn’t still be there if it weren’t for him. The neighbors describe the gang that has been terrorizing their neighborhood and killing people in it—they have very specific crown-shaped tattoos on their necks. Know-It-All Detective Boulet recognizes the gang tattoo: The Latin Kings.
Embry sends Cobb and Boulet off to find Boulet’s connection in the Latin Kings, Mateo Cruz. As they look around for Cruz, Cobb gossips again about Embry having a hooker. Boulet tells him to shut up, that she’s his confidential informant and that’s it. Professor-of-History Detective Boulet explains that Embry’s wife died six years ago. Just after that his daughter left for college and they have not talked since her mother’s funeral. What is up? Does Boulet have Embry’s phone tapped? No explanation is given for why father and daughter abandoned one another that way, but it sounds just awful. Cobb says he’s sorry to hear about Captain Embry’s wife and that it must be hard to be a cop’s kid. Boulet looks like he got punched in the stomach with the kid comment. That's what he gets for acting like Dr. Phil.
Now I’m confused. Have Sarah and Jim been involved? Or is she his replacement daughter? They seemed to know one another intimately, but it was not clear if it was sexual intimacy (that was only implied because their interaction took place in a brothel) or the intimacy of family and close friends. Or the intimacy of confidential informants. Ok. That last one I don’t buy at all. Something more than that but maybe less than sex is or has been going on. After harassing Cruz for awhile about his potential involvement with the Beelman murder and his illegal activity in trafficking in migrant workers, all they get for their trouble is mocked by Cruz and the other Latin Kings who do, indeed, sport crown tattoos on their necks. Neck tattoos are such a great idea, aren’t they? If only the Latin Kings had watched the last season of Project Runway. Back at headquarters Hot Detective Cobb and Big-Daddy Detective Boulet question Thomas Macy again. He is shown Cruz’ mug shot, but, as he was in the bathroom when it all went down at Laine Rogers’ apartment, he reminds them, he didn’t see anything. And all he heard was in Spanish, a language he does not speak or understand. Hot Cobb encourages him to try to remember what he heard, whether he remembers it or not. Macy says he remembers hearing something that sounded like "Sarah" over and over again. So, Forgetting-How-Too-Close-To-This-Case-Embry-Is Detectives Boulet and Cobb send a car to pick up Sarah. Only after they do that do they let Embry know. Of course Embry loses his freakin’ mind when he hears they went over his head and did that. He really loses it when they tell him that Sarah is missing, they believe she ran, and they also believe she was involved in the murder and knew they were looking for her as much as Laine that morning, even if they didn’t know it. The three of them are arguing and yelling and talking over each other, but one sentence rings out loud and clear from Embry, bringing the argument to a halt: "I didn’t know she was a hooker when I met her." "What?!" Boulet responds. "Nothing. None of your business," Embry comes back in a loud voice, but, obviously, very weakly. He seems ashamed. They beg Embry to tell them what’s really going on with him, but he refuses. He kicks them out of his office. It’s dark out and Embry is walking in the front door of his house. He can tell someone is already inside. He pulls his gun and rounds a corner. It’s Sarah. "Hey," she says, "I used my key." "We gotta talk," he replies. "She has her own damn key?!" I say, and call Hot Detective Cobb to gossip about it immediately. **FLASHBACK** September 2, 2005 Embry is serving soup to a house full of people he doesn’t seem to know. It appears he is taking people in until the water levels go down and people can make their way home. So Embry is making more than $29,000; he lives on higher ground. A woman (Sarah) is in his kitchen. She asks for wine. They start to talk and laugh. She thanks him for letting them stay in his daughter’s bedroom and he starts to tell a story about a time he and her mother caught her having a party when she was in high school. Sarah comments that his daughter sounds like her kind of girl and asks where she is. "Out of state," he says, "She’s safe." And his face becomes a wall of pain. And that, boys and girls, is how Sarah and Jim met. **BACK TO THE PRESENT** "No, it’s not ok. I should have busted you when I found out you’re a call girl," Embry is yelling at Sarah as they stand in his kitchen. "I don’t need you, I make twice what you do," she replies. "Yet here you are again." "Yeah, because I’m freaking out. I’m afraid whoever killed Laine is going to kill me. Laine called me and said Clay Beelman was dead on her floor. He’d been rough with her and she kicked back and landed on the floor the wrong way and maybe broke his neck or something," she whines. "You helped her move the body? Did she mention a client named Mateo Cruz?" Embry says, making a giant leap I don’t follow. Sarah says she did help move the body. Embry orders her to stay where she is and leaves. He must really, really trust her prostituting, accessory-after-the-fact to murdering ass to leave her like that in his house. Especially with his question about Cruz. And with all her lies stinking up his house that way. At headquarters ADA Swan comes in, all dressed up, to tell Boulet and Cobb that she explored all the murders Cruz has been suspected of being involved in and none of them fit the way Laine Rogers died—it’s not his MO. Hot Detective Cobb asks her if she left her date just to tell them that. He’s flirting with her. I get the feeling Cobb has had a little somethin' somethin' on his mind this entire episode. Swan ignores him and continues. She says she did find that Cruz walked on drug charge owing to a technicality under Clay Beelman, which didn’t happen unless Beelman wanted it to happen. Boulet and Swan realize at the same time, Cruz and Clay knew one another. Why? How could they have communicated? Boulet suspects that Beelman hired the Latin Kings to intimidate the residents of the neighborhood to go along with the "Green Project Initiative." Cruz would have gone along with this to be in good with the DA and because he would eventually profit from the landscaping that would have to be done through his business pimping out day labor. Their go between? Laine, the dead prostitute. Now they need to find the link between Laine and the Latin Kings. Hot Cobb and Big-Daddy Boulet go to Dinovi and ask her to let them look at her black book. She refuses, of course. They explain they only want to know about Cruz. "How many times I got to tell you people? Cruz only liked one of my girls. Sarah." "What do you mean how many times?" Hot Detective Cobb asks, suspecting something’s up. "Your boss was just here asking the same question." Cobb and Boulet realize Sarah and not Laine was the go between for Cruz and Beelman. Embry returns home to find Sarah there waiting, as he ordered. She explains the exact same shit to him that we just heard, adding, "Laine didn’t kill Clay, I did. Everything I said about Lane, it was me. Beelman was rough with me and I hit him with an ashtray." She also explains that Cruz only killed Laine because she would not give Sarah up. So how did Laine’s fingernail get into Clay Beelman’s body? No. Really. I’m asking. Did Sarah plant it there? This girl is a messed up piece of work. Also, Swan got it wrong, I guess? About Cruz’ MO, since apparently he did kill Laine? Was that a red herring? Or are we supposed to think now that Sarah was with him and she killed Laine? If that was the case, I assume Thomas Macy would have heard Laine and Sarah speak to one another in English. This part of the show is a little murky. Sarah’s cell phone rings, Embry makes her answer it. It’s Cruz. She asks how he is. He says fine, "Now that I found you." "Found me?" They look out the window and there are the Latin Kings. Embry asks her how Cruz would know she’d be there. "I talk about you and how you help me all the time," she says. "Dumb wench," I say. Adding, "Big Fat Liar, Pants On Fire!" Out-of-Sorts-and-Panicked Detectives Boulet and Cobb are driving around, making cell phone calls and radio calls and trying the wrong houses everywhere in an effort to find Sarah and Embry. As the Latin Kings gather upon the house and begin to break inside, Embry tells Sarah to get under the bed. He takes Sarah’s cell and calls for assistance with one hand and begins his part of the shootout with gang members in his living room with the other. He runs upstairs (You are never supposed to go upstairs when someone’s in the house, are you?). Just as Boulet and Cobb are wondering why, if Embry got to Sarah first, he hasn’t taken her back to HQ, they hear a call on the radio for all units to go to an address they recognize as Embry’s home address. They rush there and burst into the house like a couple of monkey idiots and get into a shootout with two other gangsters. Sneaking really would have worked better. Upstairs Embry is holding a gun on Cruz from a few feet away as Cruz holds one to Sarah’s head. In her one fine moment, Sarah begs Embry to just shoot Cruz and not worry about what happens to her. Cruz is so bad and Embry has been so just and kind that she cannot let Embry risk himself to save her, a murderer. Or, it's not a fine moment at all and she wants Embry to shoot Cruz as payback for killing her best friend, Laine, although she doesn’t say that. Or, she says all the garbage she does say because she knows Embry will never do it. Whatever. My vote: go for it. Take 'em both out. Cobb and Boulet get away from the gunfight downstairs and rush upstairs to help Embry. Embry grabs Cruz and pins him to the bed; Sarah backs against the wall. Running-a-Little-Late Detectives Boulet and Cobb make it up to the bedroom and take custody of Embry. Sarah rushes into Embry’s arms for an embrace, as though they are going to live happily ever after now. HA! Embry has to stop saving Sarah and arrests her for conspiracy and murder. She begs him not to do this to her. He can't look at her as he arrests her, but he does it. He apologizes for not being straight with Detectives B and C from the start and forces Boulet to leave and go hear Tawni sing. The full nature of Embry's relationship with Sarah is never made fully clear. It's just as well that this one is a mystery. Embry looks at photos of his family. He calls his daughter, Lisa, for the first time in six years. I can already tell I’m probably going to cry no matter how this goes. He gets her machine and starts to leave her a message about how they haven’t talked in awhile, when suddenly she picks up. His eyes fill with tears. Mine do, too. They talk, but we are not privy to their conversation, just as we are not privy to the relationship he has had with Sarah during the time Lisa has been out of his life. Boulet arrives at the play just as it is letting out, too late to hear his daughter sing. But Tawni just asks, "Daddy, did you see me?" And he tells her, "Yes! I heard every note!" Barely under his breath, Boulet asks his wife if he can watch the video later, which seems like a dumbass question. Like she’s not going to let him see it? Ever? Anyway, Ayana looks disapproving, but plays along gamely and suggests they go to Angelo’s for ice cream. As they walk off into the night Boulet starts to sing out, "Tomorrow, tomorrow . . ." AND: CLOSING CREDITS! They're both kinda hot in their own way, you know?
Next week, Cobb gets in big trouble, it seems. Boulet says to him: "I told you if you were still a criminal, I’d take you down. You turn yourself in, or I will." A little strange, since we’ve been told he’s a petty thief. Then again, we’ve seen him drown his cellmate, but that was, it did seem, only in order to save his own life. Does he steal something from the 7-11 or kill someone? Also, some scenes look a little CSI and some look a little voodoo, which could be interesting. I’m looking forward to it. I have a feeling no one is going to be turning Hot Detecting Cobb in for anything that’s going to get him thrown off this show. And voodoo is really interesting.



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K Ville
Dear Joy,
I am an expat living in Japan, hence cannot watch K Ville at the moment and will not be able to for a foreseeable future. I am a big fan of Cole Hauser and your well written recap has been one of my greatest enjoyments in the last few weeks. Please do not stop. I want to know what happens to Hot Cobb.
Cheers,
Alex